March Madness Chat On “The Home Stretch”

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I joined Justin Hull on “The Home Stretch” to chat about the NBA Draft, if the NBA should change the age players need to be to enter the draft, and potential NBA players in the NCAA Tournament.

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Pete Strobl Talks About “Backspin”

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Pete Strobl, author of “Backspin,” talked about playing nearly a decade in Europe, what motivated him to write his book, the impact his book has already had and he gave Jack Armstrong some props.

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NBA Podcast: Phil Jackson Gives The New York Knicks Hope

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McNeill and Cheel talked about Phil Jackson giving the New York Knicks hope, Carmelo Anthony not being given enough credit or respect, LeBron James putting on a clinic against Cleveland, Oklahoma City faltering at the wrong time, Brooklyn and Chicago being two teams Miami and Indiana won’t want to face in the playoffs and we vented about teams in the Western Conference getting the short end of the stick.

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Retraction To Post About Toronto Raptors’ Medical Treatment Of Kyle Lowry

Yesterday I dropped the ball in writing about how I perceived Toronto’s treatment of Kyle Lowry in the fourth quarter of a loss to the Phoenix Suns.

From my vantage point and from my perspective of the NBA rules, I wrote an article claiming the Toronto Raptors medical staff didn’t follow the NBA’s policy on treating concussions.

I was wrong.

After talking with a representative for the Toronto Raptors this morning it was made clear the team did numerous tests on Lowry. They checked him for a concussion as well as they checked his spine while he was still on the court.

When Lowry returned to the bench they did more tests.

Also, after the game more tests were run.

Both tests on the court by the medical staff determined that Lowry was fit to return to the game. The tests after the game aligned with that.

As a journalist, I dropped the ball by not talking with the medical staff while at the Air Canada Centre last night. My apologies to Scott McCullough and the entire medical staff of the Toronto Raptors.

Book Excerpt From “Backspin” By Pete Strobl

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My new head coach was Jack Armstrong. He was proof that you can take the guy out of Brooklyn but you can’t get the Brooklyn out of the guy. Keep in mind that my only exposure to the East Coast mannerisms had come through the Al Pacino and Robert DeNiro films I had watched late at night. Keeping up with Coach Armstrong’s speech cadence was tough at first because it was so entertaining. I felt my mellow West Coast vibe slowly dissolving and knew it would be a challenge to keep up with his pace mentally, as well, as physically.

Armstrong was a hard-working guy and a real throwback to what I imagined a barnstorming coach in the fifties might have been like. The one thing about him I learned to count on was his consistency. Well, okay, two things: his consistency, and his extraordinary flair for showmanship. Before we had played half of my first season I realized that he was on a first name basis with every other referee in our conference. The way they went at each other, I got the impression they had all grown up on the same block and had been arguing streetball calls since they were kids.

During the very first game of the year, an official made a call that rubbed Armstrong the wrong way. He executed a move worthy of an Olympic shot putter. No, to be precise, it was much more like an expert hammer throw. He exploded out of his chair, spun around, tore off his suit jacket in mid swing, and before he came around again, the jacket had landed in the third row behind the bench. It’s a good thing Armstrong wore slick-soled dress shoes on game days, because if he had tried that move in sneakers he would have torn his ankles out at the roots. The referee walked over, soothingly put his hand on Jack’s shoulder and explained the call from his vantage point. Armstrong, accepting his jacket from the outstretched hand of a beaming Niagara fan, penitently nodded and patted the ref on the back as if to say, “Oh yeah, well when you explain it like that I can see how you could have blown the call.” I’d seen coaches lose their cool trying to play to the refs many times, but they were just as likely to cross the line and end up listening to the rest of the game from the locker room. My new coach had a real knack for timing his outbursts. And I had never seen anyone with Armstrong’s astounding recovery time.

Later in the season we found ourselves fighting to win a close game that would keep us on pace to have Niagara’s first winning record in nine seasons. With less than a minute left on the clock, Coach Armstrong called our last timeout and we huddled around him to get instructions for what would be our final offensive possession. One of the assistants shoved the dry erase board into his impatient grasp and he was practically writing up a play before the marker touched the board. The marker darted furiously back and forth across the board as he improvised our first, second, and third options on the fly. It was remarkable the way Coach Armstrong’s mind worked. Even more remarkable, all of us, to a man, stood and nodded as if we had a full and complete understanding of this amazing play that not one of us could actually see. In the excitement and gravity of the moment, Jack had scribbled away the entire timeout without realizing he was using a dried out marker. But a small detail like that wasn’t going to prevent us – all of us – from pretending we knew exactly what we wanted us to do. With fire in his eyes and his mouth foaming at the corners, he screamed, “Are you ready?” We answered with a resounding “Let’s go!”

We went on to win that game in the final moments. I don’t know if the play we ran had anything to do with Jack’s invisible ink act but I’m certain his intensity in the timeout is what got us the win. And it’s a good thing it did, because I wouldn’t have envied the person that put the spent marker into Armstrong’s hand if we had run out the final seconds of the game bumping into each other and acting like Jack had just drawn up an invisible play.

This was an excerpt from Backspin by Pete Strobl. Copyright 2013 by Pete Strobl. Reprinted with permission from The Scoring Factory.